2022– Director of Undergraduate Studies and Lecturer, Department of Music, Harvard University
2021–2022 Lecturer, Department of Music, Harvard University
2019–2021 College Fellow, Department of Music, Harvard University
2015–2018 Lecturer, Schulich School of Music, McGill University
2020 Ph.D., Music Theory, McGill University
* Dissertation: “Sounds, Signals, Signs: Transductive Currents in Post-Spectral Music at IRCAM” (co-advised by Robert Hasegawa and Jonathan Sterne)
** Awarded McGill’s K. B. Jenckes Convocation Prize as “the most outstanding graduate receiving a Ph.D. degree in any discipline in the social sciences and humanities”
2012 Dual M.M., Music Theory and Violin Performance, University of Colorado at Boulder
* Thesis: “Grundgestalt Hierarchy in Alban Berg’s String Quartet, Op. 3” (advised by Keith Waters)
2003 B.A., Music, University of North Carolina at Asheville
AREAS OF RESEARCH
contemporary music analysis; popular music culture; timbre; spectralism; microtonality; sound studies; media archaeology; interface design; digital temporality; machine listening; critical organology; archives; ethnography
TEACHING EXPERIENCE (at Harvard unless noted)
Instruments, Interfaces, and Infrastructures, MUS 230 (Fall 2022).
Popular Music Analysis, MUS 230 (Fall 2021).
Timbre at the Crossroads, MUS 230 (Fall 2020).
Analyzing Musical Media, MUS 230 (Fall 2019).
Graduate Musicianship, MUS B (Spring 2020, 2021, 2022).
Sound Studies in Theory and Practice, MUS 159 (Fall 2021).
Theory I, MUS 51b (Spring 2021, 2022).
Tonal Analysis, MUS 150 (Fall 2019).
Past Experience as Instructor of Record (McGill University)
Introduction to Research Methods in Music, MUPD 560 (Fall 2016, 2017).
The Art of New Music, MUAR 374 (Spring 2018, Summer 2018, team-taught with composer James Rubino).
Popular Music After 1945, MUAR 392 (Fall 2017, team-taught with musicologist Eric Smialek; Spring 2017, sole instructor).
Basic Materials of Western Music, MUAR 201 (Fall 2015, Spring 2017).